" Unfiltered Audio - SpecOps 1.0 VST, VST3, AAX x86 x64 Year / Release Date: 10.2017 Version: 1.0 Developer: Unfiltered Audio Developer website: Unfiltered audio Format: VST, VST3, AAX Discharge: 32bit, 64bit Tablet: cured System requirements: Windows 7 through 10, Intel-compatible CPU with SSE2 instruction set ( Pentium 4 compatible or higher; minimum 2 GHz recommended ) Size: 9.5 MB Description: SpecOps are dozens of plugins in one. Its easy-to-use interface is a packed arsenal containing 36 diverse and flexible spectral effects, from elusive to extreme. The way you use these powerful tools will be limited only by your creative imagination: transform the synthesizer presets with new sound qualities, add a pulsating grunge to drum hinges, saturate instrumental tracks, delicately lighten mixes or suck organic tools and vocals using one-of-a-kind special effects. Download
Cinematic Studio Series – Cinematic Studio Strings v1.7 (KONTAKT)
Cinematic Studio Strings is a library filled with character. Featuring top Australian musicians and meticulously recorded on a world class stage, CSS boasts great sound, stunning realistic dynamics and a wide variety of articulations. With an intuitive and efficient GUI, CSS was created to meet the needs of working composers in today’s film, television and video game industries. This outstanding library of orchestral strings for Kontakt and Kontakt Player is now available at a very affordable price.
New Marcato mode (including runs)
The new improved “Marcato” articulation in CSS v1.7 is quite powerful. Its main purpose is to perform fast, energetic passages, ostinatos and runs. The vibrato is exaggerated, and the attack is accented, which means it excels at bombastic melodies, like the Star Wars theme for example.
However, since the legatos have been improved, it is also quite capable of playing less- accented, more varied phrases too – think of the violin parts early in the “Journey to the Island” cue from Jurassic Park. This is aided by the fact that you can also now trigger subtle portamento slides, so all in all, the new Marcato is a lot more versatile. I also added a 2 x round robin, which further enhances realism.
To play runs, simply play a fast passage in legato mode – it works especially well for scalic runs. You can add accents to individual notes within a run by triggering a note above a velocity of 75. This effect is subtle, but audible and useful in context, especially when you “change direction” during a run.
Alternatively, to create a more obvious accent, try leaving a gap between the previous note and the note you wish to accent, effectively starting a “new” legato phrase with the accented note. In other words, if you play a 10-note run, and would like to accent the 5th note in the phrase, you’ll need to leave a small gap between the 4th and 5th notes. This would effectively “end” the legato phrase at the end of the 4th note, and then “begin” a new legato phrase starting with the 5th note. This means you’ll hear the attack portion of the Marcato sample, which in the context of a fast passage, essentially functions as a more pronounced accent.
The new improved “Marcato” articulation in CSS v1.7 is quite powerful. Its main purpose is to perform fast, energetic passages, ostinatos and runs. The vibrato is exaggerated, and the attack is accented, which means it excels at bombastic melodies, like the Star Wars theme for example.
However, since the legatos have been improved, it is also quite capable of playing less- accented, more varied phrases too – think of the violin parts early in the “Journey to the Island” cue from Jurassic Park. This is aided by the fact that you can also now trigger subtle portamento slides, so all in all, the new Marcato is a lot more versatile. I also added a 2 x round robin, which further enhances realism.
To play runs, simply play a fast passage in legato mode – it works especially well for scalic runs. You can add accents to individual notes within a run by triggering a note above a velocity of 75. This effect is subtle, but audible and useful in context, especially when you “change direction” during a run.
Alternatively, to create a more obvious accent, try leaving a gap between the previous note and the note you wish to accent, effectively starting a “new” legato phrase with the accented note. In other words, if you play a 10-note run, and would like to accent the 5th note in the phrase, you’ll need to leave a small gap between the 4th and 5th notes. This would effectively “end” the legato phrase at the end of the 4th note, and then “begin” a new legato phrase starting with the 5th note. This means you’ll hear the attack portion of the Marcato sample, which in the context of a fast passage, essentially functions as a more pronounced accent.
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